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Ode to Joy Piano Music for Beginners
Ode to Joy is one of Beethoven's most recognized and beloved melodies. Perhaps your student's
older brother has played it on his trumpet in school band, or perhaps he has heard it sung in church as "Joyful, Joyful, we adore thee..." Here are several versions of simple, free kids sheet music for beginning piano players which can be dressed up with chords.
It is just possible your student has heard the song sung by a quartet at the end of Beethoven's Ninth Symphony. However
it may be, if they have heard this most famous of Beethoven's songs before, they will want to play it themselves!
This is probably how they will want to play it:
Beethoven's Ode to Joy with Left Hand
And eventually, beginners will play it like that. But at first, I simplify the melody so they can concentrate on reading the notes:
Free Beethoven printable piano music easiest version
With only minimal fingering, kids read this song just like "Snakes," except I warn them that
there are some skips hiding in some of the measures. We go looking for the skips (or
thirds), and circle them with a colored pen.
This free kids' sheet music is a simplified version of Beethoven's actual rhythm. Another change I have made is to turn the melody up at
the end of line 3 instead of down, in order to contain the melody within one hand. That way,
we can add chords in a few weeks or months when the melody is very strong.
With chords, Ode to Joy can be dressed up for a duet, or returned
to later when they have gained more skill and their hands are more independent.
Free kids' sheet music Ode to Joy with chord symbols
When should you start adding chords? As I said, not until the melody is well in hand.
I've had kids play the chord accompaniment different ways in this piece, but always starting it as a duet with them
on the melody and me on the chords -- BIG chords. It's good for them to feel the majesty of this piece
and to learn to feel comfortable with all the sounds happening while they strive to keep the melody going
rhythmically. (If they get too lost and confused initially, then I drop the fancy accompaniment
and just play along with them, doubling their part.)
This is the kind of accompaniment I might
make.
Then we switch places, and I have them try C and G open chords all the way through, striking
the chord on beat 1 only. Changing chords may be a little slow at first, but this student
will have been playing the C, F, and G chords of the 12-Bar-Blues for at least a few weeks
or months by now.
Then we do something fun. I point out to them that they can change from C to G and back to C again without
even looking at their hand, if they "sneak" throught the g key, using it as a landmark.
"Close your eyes and try it," I tell them, and now it becomes a challenge. They love a
challenge!
Then we go through the whole piece, with me on the melody and them on the chords, left hand
only, swapping back and forth from C to G to C.
Line 3 is a lot of work, moving twice a measure. Watch out where there are 2 C chords in a
row! Then line 4 is just like line 2.
After we have played Ode to Joy all the way through, we make one last change...after the energy of
line 3, it doesn't seem right to settle back down to just one chord a measure, so we put four
chords in each measure of line 4 -- what a difference! I ask them if they can feel the
difference, and they can indeed!
It may be some time before they can put this vigorous left hand together with the right hand
melody, but that's okay...in the meantime, you have a great duet, and they are learning chord
basics.
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