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The Moldau for Early Intermediate Piano
The Moldau theme is one of the most beautiful -- and irresistable -- melodies in Romantic
orchestral
literature. Even if you don't listen to much classical music, you are likely to have heard
this piece if you have ever taken a music literature class.
These two printable piano music arrangements are my versions 3 and 4 of the melody of The Moldau. It helps
if kids already know
the rhythm of the melody
(see the easy versions 1 and 2 on the Beginner Piano page),
but it
isn't necessary.
This is such a beautiful, contagious piece of music. Most particularly with the broken
chord pattern that mimics the sound of rushing, flowing water in the original piece, it
is irresistable in its forward movement.
In spite of the pretty melody line, I couldn't get kids real excited about polishing the
first level of this piece, or going on to harder versions, until I added words to it. Yes,
the words of the two verses may seem a trifle obvious ("It's a river! Flowing through
ancient Bohemia!") but the mention of castles, mermaids, and old legends are just enough to
engage the imagination of children and hook them into the intricacies of the melody twists.
Download free printable piano music The Moldau
Putting right hand together with a moving left hand is a big step -- it doesn't really
happen in the Faber method books until Level 2B - 3. Up until then, it's pretty much one hand
at a time. Therefore, I like to treat this piece as a duet at first; them on one hand, I on the other. Then we switch when they
have gotten used to the sounds of the harmony. This easier left hand version below might be a
good in-between compromise until they can coordinate the two hands. It is well for them
to be acquainted with the A and Bb chords.
Download easier left hand version
"The Moldau" is actually the German name for the river memorialized by Smetana, a composer
from Czechoslovakia (the Czech Republic, now). Apparently the river flows through both
Germany and what was once Bohemia (C.R.), and naturally, the world of music being what it is,
it was the German name that stuck. (Think of Edvard Grieg's Norwegian songs, sung mostly in
German.)
I like to introduce pianists to classical literature early on, because even if they've learned only
only an easy version of a piece, they are more likely to want to listen to "difficult" or
"serious" music later on if they have that moment of "Aha! -- I KNOW this music!"
I do have a much longer, fuller piano arrangement that includes the change to the major key.
It is also much harder, but very exciting! (That particular arrangement is for sale only.)

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